jayembee
Senior HTF Member
Yes, those classic detective shows used a lot of music that is expensive to clear.
Makes me wonder how Timeless Media Group got away with their 114 episode Peter Gunn set what with Lola Albright singing standards in most episodes. Some "not so reputable" sets can be found of the above shows. The Surfside 6 one is filled with what I'd call "the unwatchables", horrid damaged 16mm kinoscope to video nightmares and the Hawaiian Eye set has TOO many of the same. I'd pay a pretty penny for all the above titles in good shape. Maybe limited but pricey sets would defray the music rights price tags. Hoping for Surfside 6 in particular as it was a real hoot!Where are the real hit detective shows..... 77 Sunset Strip, Bourbon Street Beat, Surfside 6, and Hawaiian Eye...music featured involve complications in clearing rights? Warner Archive have been focusing on less successful/less commercial/older titles which appear to have more sales potential juding by the comments here...
Since there has been a healthy discussion of the WA dipping into its TV catalog, does anyone here think that the WA might sometime be the vehicle to release a Blu-ray set of the seven seasons of Gilmore Girls
I need to ramp up a media blitz to put that thought on the radar of the powers-that-be in order to get it done!
We want Gilmore Girls in HD! When do we want it? NOW!
FWIW, I didn't find the reformatting to 16x9 problematic/detracting (or even noticeable) at all (after nearly 5 seasons binged), but then again, I've never seen it in original form...
The 16:9 HD versions of Gilmore Girls have a significant number of scenes where the characters will be cramped together in the center of the screen with empty space around them on the sides. It get to be kind of comical when there a large group of characters in the scene. The show was definitely only composed for the 4:3 center extraction, with no thought of ever airing in widescreen.
With that said, it's the sort of thing you forget about and tune out after a while.
The official policy for Warner Bros television in advance of and at the dawn of the switch to HDTV was to shoot most of their shows on 3-perf 35mm, which yields a roughly 16x9 aspect ratio, and the original 4x3 broadcast masters were achieved by cropping the sides off the wider image. Showrunners and cinematographers were told to protect the 16x9 frame and were well aware of the possibility that one day these shows would be viewed on widescreen TVs.
Personally, I'd rather see Gilmore Girls in 4x3 but I can live with the empty space of the sides of the frames. It beats the hell out of cropping it to achieve 16x9.The official policy for Warner Bros television in advance of and at the dawn of the switch to HDTV was to shoot most of their shows on 3-perf 35mm, which yields a roughly 16x9 aspect ratio, and the original 4x3 broadcast masters were achieved by cropping the sides off the wider image. Showrunners and cinematographers were told to protect the 16x9 frame and were well aware of the possibility that one day these shows would be viewed on widescreen TVs.
The official policy for Warner Bros television in advance of and at the dawn of the switch to HDTV was to shoot most of their shows on 3-perf 35mm, which yields a roughly 16x9 aspect ratio, and the original 4x3 broadcast masters were achieved by cropping the sides off the wider image.
Showrunners and cinematographers were told to protect the 16x9 frame and were well aware of the possibility that one day these shows would be viewed on widescreen TVs.
Some of them took this more seriously than others. Famously, the 16:9 transfers for Buffy the Vampire Slayer have a number of flubs where you can see camera and lighting equipment on the sides of the frame. The show's creator (kind of notorious himself for other reasons these days) was upset that the studio released 16:9 versions on DVD overseas and on streaming, insisting that 4:3 is the only valid composition for the series.
True but so did the Alaskans so there is still hope. The rumored DVD release of Alaskans from around 2017-2018 never happened due to the Music Clearance.Yes, those classic detective shows used a lot of music that is expensive to clear.
There is a LOT more music to clear in long-running TV shows than in a one-season show.True but so did the Alaskans so there is still hope. The rumored DVD release of Alaskans from around 2017-2018 never happened due to the Music Clearance.
Although for that particular show, it’s worth noting, seasons 4-7 originally aired in 16x9 in Europe. It wasn’t a surprise that it was going to happen.
I really don’t want to get into the weeds on this but to my mind all of this speaks to the intricacies of work-for-hire and refutes this kind of auteur legend that only one person is responsible for anything. An individual was hired by a studio to run a show and that individual was told that the deliverable in the overseas market was required to be a 16x9 formatted presentation. The individual can say whatever he wants about it not being his preference and that’s all well and fine, but like most working people, he was hired to do a job that had certain requirements and 16x9 for Europe was one of them.
Is WHITE HEAT out of print on blu ray? I was just looking on Amazon quickly and it's pricey. I wonder if it is headed to Criterion? They love Raoul Walsh and later WB films like Mildred Pierce and The Breaking Point.I love jungle movies, so this one is a must. I read the book in High School. I have the soft and overall crumby-looking DVD, and would love to see a Blu. Audrey is so damn beautiful.
Ah, thank you. Still doesn't change my hope for a Criterion release of it.WHITE HEAT is available as part of a 4-movie set called THE ULTIMATE GANGSTER COLLECTION, which also includes LITTLE CAESER, THE PUBLIC ENEMY and THE PETRIFIED FOREST. It's all over Amazon and eBay at incredibly low prices: